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Countermyths

LILITH · TALE 03 / 03
LILITH · TALE 03 / 03

The Gate Behind Me

A tale of an exile that never happened

Author’s story and release text

The third part begins without a trial or a forced exile. No gate, flaming sword or wall stands before Lilith. No one blocks her way. She simply steps beyond the language that assigned her a place.

The garden ends softly. Roots stop remembering a boundary. For the first time, night becomes a country rather than a punishment. Before her step, ‘outside’ was an abstraction. Afterwards, a road exists.

Later, the story will be rewritten. A gate will rise where there was no threshold. Warning flames will be lit above a voluntary exit. Lilith’s name will be fixed to the door as a sign of danger. Her choice will be called a fall, night a sentence, and the outer world a place of curses.

Why was this new version needed? Because a voluntary departure is contagious. If Lilith could simply leave, the gate cannot be the limit of the world. Another person might also say ‘no’ and discover a road.

Departure is therefore turned into exile. A free step becomes a punishment. The gate is built to hold those who hear her story later, after Lilith has already gone.

She makes a charge more frightening than ‘I was misunderstood’: the myth of her fall was manufactured afterwards as a method of obedience.

They say I was cast out. No gate stood before me. The gate was built behind me.

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Countermyths: six heroines among candles, birds and mythological symbols.Visual material not yet addedCountermyths · Canon · 6 triptychs
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